Friday, July 31, 2009

Friday Funnies



First lines of bad novels

Winners of this year's Bulwer Lytton contest (run by the English Dept. of San Jose State University), wherein one writes only the first line of a bad novel.

10) "As a scientist, Throckmorton knew that if he were ever to break wind in the echo chamber he would never hear the end of it."

9) "Just beyond the Narrows the river widens."

8) "With a curvaceous figure that Venus would have envied, a tanned unblemished oval face framed with lustrous thick brown hair, deep azure-blue eyes fringed with long black lashes, perfect teeth that vied for competition, and a small straight nose, Marilee had a beauty that defied description."

7) "Andre, a simple peasant, had only one thing on his mind as he crept along the East wall: "Andre creep... Andre creep... Andre creep."

6) "Stanislaus Smedley, a man always on the cutting edge of narcissism, was about to give his body and soul to a back alley sex change surgeon to become the woman he loved."

5) "Although Sarah had an abnormal fear of mice, it did not keep her from eking out a living at a local pet store."

4) "Stanley looked quite bored and somewhat detached, but then penguins often do."

3) "Like an overripe beefsteak tomato rimmed with cottage cheese, the corpulent remains of Santa Claus lay dead on the hotel floor."

2) "Mike Hardware was the kind of private eye who didn't know the meaning of the word "fear," a man who could laugh in the face of danger and spit in the eye of death -- in short, a moron with suicidal tendencies."


AND THE WINNER IS...

1) "The sun oozed over the horizon, shoved aside darkness, crept along the greensward, and, with sickly fingers, pushed through the castle window, revealing the pillaged princess, hand at throat, crown asunder, gaping in frenzied horror at the sated, sodden amphibian lying beside her, disbelieving the magnitude of the frog's deception, screaming madly, "You lied!"

Thursday, July 30, 2009

Cross Inspiration


Quote of the Day:
You can't wait for inspiration. You have to go after it with a club.
~ Jack London

So, I was working on my non-fiction over the weekend, writing a sestina (for the chapter on sestinas, naturally) and the poem I was working on gave me what I think could be a cool idea for an Urban Fantasy. On the one hand, I'm thinking "Ooo, cool, another idea!" And on the other hand, I'm thinking "Oh crap, another idea." Hehe...I love it when the ideas get backlogged.

In any case, it got me thinking how many times this cross inspiration thing has happened. And I realized that it happens a lot. In fact, most of my ideas come from cross inspiration.

A lot of my ideas come from when I am researching details for something else. For instance, while researching goddesses for my current YA, I came across an obscure goddess that would be really fun to write about = new entry in the idea file.

Then there have been a few like the one I just had...when something I am writing sparks an idea for something else. A couple times, it has been an idea for a spin off book on some of the secondary characters. Or like this poem...it would be awesome expanded into a short story or novel.

How about everyone else? Do you ever experience cross inspiration? What kinds of things have you come across that spark ideas for something else?

Wednesday, July 29, 2009

WIP Wednesday


Another great week! The poetry section of my NF book is now complete and with my agent. The book is now 63% finished - I have nine chapters left until it is done. I'm very excited. Partly because I am a little burned out on it and just want it done already :)

Edits on the YA are going slow, but getting there I think. I'm having a problem with pacing and too much telling (as I always do...I am really hoping I get the hang of that the first time around one of these days) :D

And I have an interesting new idea that I'm not sure I can pull off....but I'm eager to try. Another incentive to get the NF done because I've kind of put myself on restriction in regards to new projects until it is complete :)

How is everyone else doing?

Tuesday, July 28, 2009

How to Balance Confidence and Doubt


Quote of the Day:
Writing a novel is a very hard thing to do because it covers so long a space of time, and if you get discouraged it is not a bad sign, but a good one. If you think you are not doing it well, you are thinking the way real novelists do. I never knew one who did not feel greatly discouraged at times, and some get desperate, and I have always found that to be a good symptom.

~Maxwell Perkins in a letter to Nancy Hale

You know, until I started writing, I had just assumed that all these best selling authors just sat at their computers and typed out a masterpiece, having full confidence that what they had written was golden. And then I met a few writers. I read their work, marveled at how genius they were, how wonderful their story was, how smoothly it flowed, how real the characters were, how supremely awesome and talented these people were. I told them how I felt. And listened in amazement as they melted in a puddle of relief, telling me how they thought their work was crap, how it would never make it, how afraid they were that no one would like it. And I thought, how, how could these incredibly talented people doubt themselves so?

Until I started down the road to being “a writer,” I was very confident. I knew I could write. I was good at it. Everyone had always told me so. I won awards when I was young. I have a Masters degree in English, (so you can imagine how many papers I have had to write in my educational career), and I received As on every single paper (with the exception of four - 3 Bs, and one (I shudder to say it) C – and yes, I remember each and every one, and each teacher who gave me those marks (and I am certain the C was because the teacher did not agree with my point of view, and yes, I will argue that to the death!)) :D

I was very good at non-fiction, academic type papers. And my first three publications were Chicken Soup for the Soul essays that I turned out in under twenty minutes each and only edited once for typos. I wrote them, sent them, and they got published. My confidence soared.

Then I started querying my first novel. I just knew that I would get an agent right away. I got a rejection letter or two. I was surprised, but brushed it off. I got a request for a partial from one agent and then a full from another agent. Vindication! (By the way, if you had seen the first version of my query letter, you would know what a miracle this really was – I won’t even go into how bad that first version of my novel was). Then the rejections came. Confidence shaken. But, one of the agents did say I was a “competent writer” (and yes, I still have that email saved in my files). So, my ego was a little bruised but not irrevocably damaged.

I got smart…I searched the web and found writers groups and critique groups and query help. And the critiques started coming in. I think I actually cried when I first saw all the red on my manuscript. And then I got angry and thought “These people don’t know what they are talking about!” And then I calmed down, took a close look at what they were saying, and realized…they were right. My storyline was good. But my execution sucked.

And here is what I learned…it is good to have confidence in yourself. It is necessary. You’ll never make it in this subjective, brutal, torturous industry unless you have at least some confidence in your work. But don’t get cocky. There is always room for improvement, always.

I have moments where I sit back, look at what I’ve written, and think, “Damn, that’s good stuff.” But I still sweat bullets whenever I post a chapter for critiques or send some pages off to beta readers. I always (well, almost always) have confidence in my storylines, in the backbone of my story. But I am usually fairly sure that the way I’ve written it is total crap. So I’m pleasantly surprised when I get a comment (as I did recently from a crit buddy) that says “Holy crap! I loved it!” And it doesn’t phase me so bad anymore when that exclamation is followed by “I do have a few suggestions though.” And I’ve learned that those few suggestions are not comments on my talent or me personally; they are what they are…suggestions to help make the way I’ve executed something even better.

It’s a very fine balance…you have to be confident enough in yourself and your work to continue churning out words, day after day…to send that work off to people who will shred it and send it back (within reason – savage critiques are of no use to anyone)…to believe in yourself enough to know that you can take those shreddings and turn them into something amazing. And at the same time, make sure you are not so overly confident in your greatness that you are not open to those suggestions.

So, how do I keep that fine balance between too much or too little confidence in my work? I surround myself with like-minded peers who are sheer awesomeness. They stoke my confidence when it needs stoking and knock me down a peg or two when it is called for. I generally have confidence in my work until the moment I have to send it off to someone. That is when I call or IM a writer buddy to hold my hand as I hit Send. My confidence will soar when I get requests – and I get to have a virtual party with friends who are just as excited for me as they would be for themselves. And my confidence plummets when the rejections roll in – which would be when said friends talk me down from the proverbial ledge and keep me from deleting every file I have ever written.

The stories clamoring in my head keep me writing, and my support group helps me maintain the exact level of confidence I need to keep going on the elusive path to publication.

Without them, I would be a raging ego-maniac until the moment of submission – when I would then turn into a blubbering mess of self-doubt. My advice to any writer suffering from confidence problems….get a good writer friend.

Monday, July 27, 2009

There I am Again


Quote of the Day:
Remember that you should be able to identify each character by what he or she says. Each one must sound different from the others. And they should not all sound like you.
~Ann Lamott

I had a little laugh when I read this quote, because this is something that has been on my mind a lot lately. Mostly because I am now in the edit stage of my YA book and a few of the comments I've gotten from my critters have been things like "teenagers don't act like this" or "why is she doing this?"

Almost across the board, my answer has been "well, I acted like that as a teenager" or "because that is what I would do."

I've started to realize that there may be just a little too much of me in my characters. Now, I'm not saying it's bad to have pieces of yourself in your characters. No matter what I do, I'll never be able to stop doing that entirely. But, I need to be more true to the actual CHARACTER and let them feel and act and speak as they, as individuals, would do. (Because our characters are "real" people right?) ;-D

I need to start asking, "what would my character do in this situation" and stop asking "how would I react to this situation." And it's been really hard for me to do. In my non-fiction, speeches, and just every day interactions with friends, family, and complete strangers, equating situations to myself and my personal experiences is sort of how I connect with people.

But in my writing, having every character react the way I would doesn't leave room for a lot of diversity. Now, I'm not saying I do this with every single character or every single situation. It's mostly when I get a little stuck, when I'm not sure how I want my character to respond to something, that my personal preferences start creeping in there.

How about everyone else? Do you ever find too much of yourself in your characters?

Sunday, July 26, 2009

Short Story Contest

Awesome short story contest going on over at Suzanne's blog Tales of Extraordinary Ordinariness - fun stuff and cool prizes!!! Check it out!!

Friday, July 24, 2009

Friday Funnies

Here are a few funnies and silly kitty pictures to help you get your weekend groove on! Happy Friday!!
In some parts of the city curiosity didn't just kill the cat, it threw it in the river with lead weights tied to it's feet.
~Terry Pratchett~



Its skin is rare and highly valued, especially by the vermin itself; the selfish little bastard will do anything rather than let go of it.
~Terry Pratchett~


I've regretted many things in my life, I doubt that one more will make all that much difference.
~David Eddings~


Definitions of words by gender...

THINGY (thing-ee) n.
Female: Any part under a car's hood.
Male: The strap fastener on a woman's bra.

VULNERABLE (vul-ne-ra-bel) adj.
Female: Fully opening up one's self emotionally to another.
Male: Playing football without a helmet.

COMMUNICATION (ko-myoo-ni-kay-shon) n.
Female: The open sharing of thoughts and feelings with one's partner.
Male: Scratching out a note before suddenly taking off for a weekend with the boys.

BUTT (but) n
Female: The body part that every item of clothing manufactured makes "look bigger."
Male: What you slap when someone's scored a touchdown, homerun, or goal. Also good for mooning.

COMMITMENT (ko-mit-ment) n.
Female: A desire to get married and raise a family.
Male: Not trying to pick up other women while out with one's girlfriend.

ENTERTAINMENT (en-ter-tayn-ment) n.
Female: A good movie, concert, play or book.
Male: Anything that can be done while drinking.

FLATULENCE (flach-u-lens) n.
Female: An embarrassing by-product of digestion.
Male: An endless source of entertainment, self-expression and male bonding.

MAKING LOVE (may-king luv) n.
Female: The greatest expression of intimacy a couple can achieve.
Male: Call it whatever you want just as long as we end up in bed.

REMOTE CONTROL (ri-moht kon-trohl) n.
Female: A device for changing from one TV channel to another.
Male: A device for scanning through all 75 channels every 2&1/2 min.

(from http://ancienthomeofdragon.homestead.com/fun6.html)