Thursday, February 26, 2009

Reading List Update


Reading list update time! I did pretty good this week....read two books and a friend's manuscript (which I am totally counting because it is an AWESOME book...just not published yet - and yes I've read it before but this was the REVISED version.......oh okay fine, I won't count it, but only because it was a second read) :D

Anyhow, here are the new additions.....

11. Goddess of Yesterday by Caroline Cooney - enjoyed it! It's about a young princess hostage who witnesses the beginnings of the Trojan War.

12. Vampire Academy by Richelle Mead - loved this one! It was very similar to P.C. Cast's and Kristin Cast's Marked series (or their series is similar to VA) but not so similar that it was like reading the same book. I very much enjoyed it and will be starting the second book in the series, Frostbite, today.

Wednesday, February 25, 2009

Work In Progress Wednesday


Okay, my awesome friend Elana "borrowed" this idea from another awesome friend of ours, Kate...and I'm just tagging along :D

So, updates on my WIPs. Well...the current fiction WIP, SAME MISTAKE, (which I am tentatively calling a YA urban fantasy - Elana you know the basic storyline, whatcha think?) is very slow going. But, I did carve out a nice size chunk of the beginning at my weekly write-a-thon group (thank you so much Kristal for coming up with the idea for the group!). I would like to be further along with it, but along with the beginning, I also had a nice brainstorm session with the always fan-freakin-tastic Elana and now have a really nice idea of what will actually happen in this book. So that's good.

On my non fiction WIP, I was actually able to make it to the library today and get several ridiculously large books that I need for research. Since I thought I might have to do an inter-library loan to get these, I am pretty happy right now. I will have to do the loan thing for several other books, but I am excited that I can get started on the three books they had. So all good there too.

I'm actually keeping up with my How To Tuesday entries (which, quite frankly, I am SHOCKED about - and also really enjoying, so again, all good) :D

I am also thinking of trying article writing again. I have several in mind, a few dealing with my daughter's preemie birth, and a few along more literary/educational lines. I'm pretty good at that kind of thing, so if I can discipline myself enough to get some written, I might be able to sell a few....maybe :D

I know, I know, right about now you are thinking....


Anyhow, that is what is going on in my writing world at the moment. Hopefully next week, I'll have an awesome word count to post for you :D

Tuesday, February 24, 2009

How To Write a Ballad


Today we are going to tackle ballads. At one point in history, ballads were a court, town, or village’s favorite form of entertainment. A balladeer would travel from place to place, singing his (almost always “his”) songs of love, intrigue, murder, danger and tragedy. You could think of him as a really popular reporter, who put his stories to song. As time went on, these songs evolved into poetry.

As far as rules go, ballads are fairly easy.

1. Rhyme scheme
The ballad’s rhyme scheme is abab or abcb.

2. Structure
The ballad is usually (but of course, not always) arranged in four-line stanzas.

3. Content
The subject matter is usually based on recent events, supernatural happenings, love stories….think of todays tabloids….juicy tales of love, passion, death, hauntings, political intrigues, conspiracies…that sort of thing. I would like to note, however, that despite the “rules,” you should write what you feel like writing. If you want to write a ballad about the peanut butter sandwich you had for lunch, go right ahead! (I suppose that could be considered “recent events,” if you want to be a stickler for the rules) :D Also, “regular” speech (popular terms and lingo, which will vary, naturally) is generally used in this form (see the example by Brandon Marquis at the end of this post).

4. Meter
In general, for a ballad, the first and third lines are iambic tetrameter and the second and fourth lines are iambic trimester. (For a definition chart, see my book So You Have to Write a Poem, info below)

In other words, the first and third lines should have eight syllables following an unstressed/stressed pattern, and the second and fourth lines should have six syllables, also following an unstressed/stressed pattern.

And there you have it…the ballad. These can be quite fun – my brother recently wrote one for his high school English class about Michael Phelps and his current troubles. I hope he doesn’t mind me posting this, but it is an excellent example of a modern ballad.

The bad decisions that we make
Can follow us around.
Just ask the famous Michael Phelps
He’s always smoking down

He earned eight medals, solid gold,
He won them in a race.
But look at him, where is he now?
A terrible disgrace.

He was a hero for us all,
At least he used to be.
Now on Kellogs and the rest of them,
His face we’ll never see.

Though even fallen as he is,
I know he’ll pass the test,
And rise once more in victory
And beat all of the rest.

By Brandon Marquis

Well, this concludes poetry month. There are so many forms of poetry to explore, I’m sure a few will pop up every now and then. But for now, join me next Tuesday to learn how to write a research or term paper.

For more detailed examples and step-by-step instructions on how to write ballads and several other forms of poetry, check out my book, So You Have to Write a Poem!


Saturday, February 21, 2009

Blog Chain - The Pain of Being One of My Characters


Blog chain time once again. This round was started by the totally stellar Leah (and major MAJOR congrats to her…she just signed with Rosemary Stimola and we are all just busting a gut excited for her!!!)

Carolyn posted a truly awesome answer before me, and Sandra will come up with something equally fantabulous next.

Leah would like to know:

What do you do to amp up the conflict? What pins do you stick in the little voodoo dolls? How do you torture your characters???
Okay, when I first read this topic, I thought, “Oooo, yeah, I torture my characters all the time! This will be easy!”

Upon thinking about it more, I don’t think I do this on purpose (most of the time). But it tends to be the drama, the conflict, that drives a story…and you just can’t get that if your characters get everything they want and are happy all the time.

So how do I amp up the conflict, torture my characters? Well, in Treasured Lies, my main character Minuette falls in love, thinks her love might be a horrible criminal, watches her love get shot and thinks he bleeds to death, suffers a miscarriage, is told her love didn’t really love her and because of what has happened, believes it and gets her heart broken, and then just when things start looking up, the crazy villain comes and kidnaps her, beats her, and tries to kill and rape her. Is that torture enough? :D

A wise friend of mine once told me that if I ever get stuck (writer’s block) to just shoot someone. I laughed. And then realized that shooting someone was the perfect answer to the problem I had created for myself. I had written myself into a corner. All conflicts had been resolved and I had nowhere to go and I still had half a book left to write. So someone got shot – instant conflict, instant torture for several characters – instant end to writer’s block.

Stanley Elkin said, “I would never write about a character who is not at the end of his rope.

This is such a great piece of advice…a person at the end of their rope has no where to go but up….but there is always the threat of crashing down…and that makes a great story. If your characters never go through any kind of conflict or “torture,” then you have a story in which nothing happens. A happy person who has everything they want, and continues to be happy with everything they want…Where is the story in that?

Ernest Hemingway, in a book of advice to writers, said that a writer should…“find what gave you emotion; what the action was that gave you excitement.

I LOVE that quote. And it made me think, “What is it that gave me emotion? What gave me excitement?” Sure, I am happy when a character gets the guy at the end, or finds the treasure, or gets to live in the big pretty castle and lives happily ever after. But that isn’t what keeps me reading the story. What keeps me reading, what gives me goosebumps and makes my heart pound, is when the heroine cradles her dying husband in her arms…when she is on the back of a thundering horse, shooting a gun over her shoulder at the villain chasing her….when she made some stupid mistake and screwed up the good thing she had going….THAT kind of stuff makes me want to turn the page.

Did the husband really die? Will she get away? (Or will the retort of the gun knock her on her butt?…because that is always fun) :D Will she be able to fix her mistake and get the good thing going again, or has she just completely screwed up her life?

So, that is what I do to my characters. I give the reader a reason to turn the page, by giving my characters a reason to keep going, giving them something to fix, to resolve, to get over and move past. Death, pain, despair, torture, emotion, threat, danger….these all get the blood pumping, the tears pouring…and make that happy ending all the happier for the mess they had to go through to get there.

Thursday, February 19, 2009

Reading List Update


Okay - I think I'll make Thursdays my update day :) So, for this week, I have two books to add to my list....

9. Wolf Wing by Tanith Lee (enjoyed it, but out of the series of 4, my favorite, by far, was book #1)

10. Fairest by Gail Carson Levine
--this is the author that wrote Ella Enchanted - so if you liked the book (or movie) of that, you'll enjoy Fairest (it is Ms. Levine's take on Snow White). I really enjoyed it :)

I have Melissa Mar's Wicked Lovely on the way and have book # 2 of that series on my table (courtesy of my awesome friend Bethany). I am also in a twitter over book #5 of the Casts' teenage vampyre series coming out next week (I believe), so hopefully next Thursday I'll have a few more to add!

Actually, there is another book on my table as well, but I can't remember the title and I don't want to run upstairs to look :D But I'll be starting that one today :D

Tuesday, February 17, 2009

How To Write Haiku Poems


For this week’s How To post, we will discuss how to write haiku poetry. Now, in it’s original Japanese form, the rules are a little more strict. When it comes to writing them in English, there really aren’t any set, conventional rules. But here are the basics:

1. Content – you can pretty much write them about whatever you want. Traditional haiku tend to be more nature-centered, but modern haiku (especially English) is full of political references, romance and every-day life centered issues, as well as the more traditional nature-based poems.

2. Structure – very simple….3 lines, alternating 5, 7, and 5 syllables.

There are more variations on this than I can count. Many modern English haiku writers have anywhere between 10 and 17 syllables in their haiku, alternating them in as many ways as you can imagine (6,6,4 – 5,5,7 – 3,6,3 – etc)….but IN GENERAL, 3 lines of 5, then 7, then 5 syllables.

3. The Cut – many (but of course, not all) haiku include a cut, or pause that divides the haiku and compares two images or expounds on the first image. In modern English haiku, this cut generally occurs at the end of the first or second line and is often indicated by a punctuation mark.

Example:

the morning paper
harbinger of good and ill
-- I step over it.
(Dave McCroskey)

Now, in this example, the punctuation comes at the beginning of the third line (no hard set rules, remember), but the cut is followed by a reaction to what happened in the first two lines. How does the morning paper, the “harbinger of good and ill” affect the poet? What does he do? He steps over it.

4. Seasonal theme or word – Traditionally, haiku include a season word, something that indicates in what season the haiku is set. For instance, if you are describing a summer meadow, you could mention a butterfly, or the sun, or blue skies. If the haiku is set in the winter, you could mention snow, or frost, or cold. It doesn’t have to be obvious…most modern haiku, if they include the season reference at all, are quite subtle.

And that’s it! You can now write haiku! Three lines of 5,7,5 syllables…maybe throw in a seasonal reference or cut, and you’ve got yourself haiku poetry.


What haiku can you write? Give it a try and leave them in the comment section! I’d love to see your work!!

Stay tuned next week for tips on how to write a ballad.

For step-by-step instructions on how to write haiku along with several other forms of poetry, check out my book, So You Have to Write a Poem!


Thursday, February 12, 2009

2009 Reading List


Okay, in an effort to broaden my reading horizons (I read A LOT, but I do tend to reread favorites quite a bit), I'm stealing this idea from a couple of friends :D So, along with them, I am making a goal to read 50 NEW books this year. I have read several books already, but many of them were repeating favorites, so I won't include them in my list. Here's what I've got so far!!

1. Marked
2. Betrayed
3. Chosen
4. Untamed (all by P.C. and Kristin Cast)
5. The Memoirs of Helen of Troy - Amanda Elyot
6. Wolf Tower
7. Wolf Star
8. Wolf Queen (6-8 by Tanith Lee)


Hmm, I think there have been a few more, but I'll have to check my shelves to be sure. I am looking forward to reading book 4 in the Tanith Lee series, Wolf Wing, in the next couple days. And Hunted, book 5 in the Casts' series will be out next month. Also looking forward to book 17 (or 18) in Laurell K. Hamilton's Anita Blake Vampire Hunter series, out in June, and of course, the wonderful Jessica Verday's The Hollow, out this fall!! I think I'll head over to my friends' blogs and get a couple good book ideas :D